![]() ![]() ![]() Jonathan Ball: We’re Here, We’re Queer(ing Historical Fiction): Writing the gay historical novel as literature and activism. Lucy Stone: Recovering the Past through Juvenilia: Judith Kerr’s and Tomi Ungerer’s fiction from and of the Nazi Era. S Lewis’s The Horse and his Boy and mediaeval Orientalism in the historical imagination.īlanka Grzegorczyk: The Presence of the Past: The Genealogist Child in Contemporary Historical Fiction for the Young. ![]() Sarah Hardstaff: Rational children in radical fictionĪlison Baker: Judith Tarr’s A Wind in Cairo, Kevin Crossley Holland’s Bracelet of Bones, C. Lioudmila Federova: Poet’s Death as Crucifixion: Who is to Blame?īoris Proskurnin: Russian Revolution of 1917 and Arthur Koestler’s The Gladiators: Ethics of Radicalism Jennifer Volkmer: The Death of Stalin the continued relevance of Historical Fiction Robert Poole (UCLAN), Peterloo: Courtroom, history, film and graphic novel.Īdam Chapman: Play as Historical Interruption: Videogames and Deconstructionist Historyĭanilo Di Mascio: Analyzing the design of historical cities in the Assassin’s Creed seriesĬecilia Trenter: Mimesis and prompters of Memory: Dragon Age franchise (2009-2014 BioWare) Josie Gill (University of Bristol), Handle with Care: Literature, Archeology and Slavery.ĭiana Wallace (University of South Wales), Writing Revolution: the Radical Possibilities of Modernist Historical Fiction ![]()
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